Einstürzende Neubauten’s latest aural adventure, Alles Wieder Offen, is a blend of experimental and traditional musical styles. The album hints at African and Celtic influences. The lyrics are sung almost exclusively in German, but even for non-speakers the songs have the feel of age-old elder storytelling. They also incorporate bizarre sounds from unidentifiable sources into the mix, which keeps things interesting.
The opening track, “Die Wellen,” builds suspense, with a simple piano line thumping behind spoken word. The pounding continues and the speaker becomes more and more insistent, drums and strings swelling in the background. At the breaking point of stimulation, the listener is cut off as the song ends without notice. What’s really interesting about “Die Wellen” is that, even though I knew about half a dozen German words (and “Die Wellen” was not one of them), I was able pick up on the message of the music. With its pounding and swelling, the track is reminiscent of the majestic power of the sea. The translation of the title is, in fact, “The Waves.” I know this because Einstürzende Neubauten provides lyrics in both English and German on their website. Cheers to that.
But as nice as it is to know what the band is saying in the language of words and phrases, I would recommend that the listener hold off on looking them up. It is much more fun to hear what they’re saying in the language of music. I listened to the album four or five times before sitting down to write this, and it was only just now that I located that handy-dandy lyrics sheet.
The music is somewhat melancholy, but has a sweetness that gives it an unconventional charm. Some of the melodies move along slowly, unfolding at a pace that allows time for reflection. “Nagorny Karabach” sounds like the tale of some mythical Old West figure, one whose face is constantly in shadow. It’s not, but you won’t find that out until later, right? Make up your own story about it, unless you’re lucky enough to speak German. In that case, just enjoy the poetry. Alles Wieder Offen is sprinkled with poetic philosophical depth that is not common in lyrics. Philosophical pondering is evident in the album's art, as well: the band appears against an enormous backdrop, tiny in comparison. Symbolic? I think so.
Chanting and tribal rhythms are interwoven with electronic bleeps and bloops, as well as with classical instruments. The strings on “Von Wegen” are especially stirring, creeping up with pizzicato before propelling the melody forward with a rich, full sound. The epic “Unvollständigkeit” transitions from tranquil melody to intense, cacophonous noise and back again.
This album is a treat to hear. It will live up to the expectations of established Neubauten fans, as well as appealing to new listeners who aren’t necessarily looking for the next pop punk or boy band.
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